Literary Theories

Blogger templates

Blogger news

Blogroll

About

Powered by Blogger.
Monday, January 14, 2013



LITERARY GENRE: NOVEL


LOVER

Bertha Harris




Feminism Literary Theory is an international peer reviewed journal that provides a forum for critical analysis and constructive debate within feminism. Feminist Theory is also genuinely interdisciplinary and reflects the diversity of feminism, incorporating perspectives from across the broad spectrum of the humanities and social sciences and the full range of feminist political and theoretical stances.

The Plot Summary:



Lover's prose is distinctly postmodern, eschewing conventional narrative for experimental narrative techniques. Incontrast to some lesbian novels of the time, such as Rita Mae Brown's Rubyfruit Jungle (also, incidentally, published by Daughters), which used a prototypical bildungsroman technique with a lesbian placed squarely at the center, Lover reflects complex notions of radical lesbian philosophy, community, family structure, and eroticism by using highly inventive, often fantastical storytelling techniques. In Harris's introduction to the 1993 edition, she writes, "Lover should be absorbed as if it were a theatrical performance. There's tap dancing and singing, disguise, sleights of hand, mirror illusions, quick-change acts, and drag." Amanda C. Gable has argued that Lover "can be considered an exemplary novel within discussions of both postmodern fiction and lesbian (or queer) theory," and calls for "Harris to be added to the group of writers such as Wittig, AnzaldĂșa, Lorde, and Winterson, who are discussed within the context of a postmodern lesbian narrative."


THE INTERPRETATION:



Bertha Harris was one of the most stylishly innovative American fiction writers to emerge in the wake Stonewall. Possessing a fine aesthetic sensibility and a sense of fantasy, her experiments with the form of the novel were unlike any other examples of "new lesbian fiction" that had been published prior to her work.

Harris says that "Lover should be absorbed as if it were a theatrical performance. There's tap dancing and singing, disguise, sleights of hand, mirror illusions, quick-change acts, and drag." The minds of the "sexual subversives" she writes about seem to meet on an interior plane, in which conventional storytelling gives way to brilliant imagery and electric verbal wordplay.

Harris expressed her hope that lesbian fiction would develop into an entirely new and elegant genre, far from the restrictions of nineteenth-century style that seem to typify the romances and detective fiction of the 1990s. With Lover she showed us what this genre might be like.

0 comments: